Tag: Tan Pin Pin

  • MDA Allows Local Tertiary Institutions To Show Film on Exiled Chinese Communists

    MDA Allows Local Tertiary Institutions To Show Film on Exiled Chinese Communists

    tan pin pin

    SINGAPORE & JOHOR BARU – The Media Development Authority is giving leeway to institutions of higher learning to show films that are restricted or not allowed, including To Singapore With Love.

    It also said it has accepted a request from the Yale-NUS College to screen the film on Singapore’s political exiles, for classroom teaching and discussion only.

    The 70-minute documentary, by local film-maker Tan Pin Pin, 44, received a “Not Allowed for All Ratings (NAR)” classification from the MDA last Thursday.

    That was because the film’s contents “undermine national security” and distort the legitimate actions of security agencies as acts that victimise innocent individuals, the MDA had said.

    Films classified as NAR are not allowed for public exhibition or distribution.

    In its most recent statement on Friday, MDA said it “recognises that lecturers and students of media or related courses at tertiary institutions may require access to a wider variety of films, including films that are classified R21 or NAR.

    “Some leeway is provided to these institutions to screen films for educational purposes, on condition that these films have either been previously classified by the MDA, or prior approval has been sought from the MDA before the films are acquired.”

    Also on Friday, more than 350 Singaporeans crossed the Causeway to Johor Baru to catch Tan’s film, which was showing as part of an annual Freedom Film Festival.

    The film has already been shown in Petaling Jaya and will go to Kuantan and Penang next.

    In total, more than 410 people attended, with at least 20 on the waitlist. This was almost triple the number of participants that organisers were anticipating.

    Organisers had to book an extra, larger room to accommodate viewers.

    The documentary film includes interviews with nine political exiles who fled Singapore and now live in Britain and Thailand. Most were members or supporters of the Communist Party of Malaya, according to the MDA.

    It has been touring the international film circuit for about a year, and will make its way to the Philippines and London in the next few weeks.

    Source: http://www.straitstimes.com/news/singapore/more-singapore-stories/story/singaporeans-arrive-johor-baru-screening-documentary-sin#9

  • Banned Film Showing Life Story of Chinese Communists Shown in JB

    Banned Film Showing Life Story of Chinese Communists Shown in JB

    TPP

    Government had made it clear that it would allow former members of the Communist Party of Malaya to return if they agreed to be interviewed on their past activities to resolve their cases.

    Source: http://www.todayonline.com/singapore/jb-screening-political-exiles-film-draws-many-sporeans

    JOHOR BARU — More than 400 people — a vast majority came from Singapore, including students, working professionals and retirees — turned up yesterday at a Johor Baru hotel for the screening of a documentary on Singapore political exiles that has been disallowed for public screening in the Republic.

    The film, To Singapore, With Love, directed by film-maker Tan Pin Pin and featuring interviews with Singapore student leaders and activists now living in Thailand, the United Kingdom and Malaysia after having fled the Republic between the 1960s and 1980s, was shown as part of Malaysia’s Freedom Film Festival.

    Organisers said about 350 members of the audience were from Singapore. Among these, about 150 had arrived on four chartered buses.

    Interest in the film increased after the Media Development Authority (MDA) earlier this month classified it as Not Allowed for All Ratings (NAR), saying its contents undermined national security “because the legitimate actions of security agencies to protect the national security and stability of Singapore are presented in a distorted way as acts that victimised innocent individuals”.

    The film was screened in two function rooms in the11@Century Hotel, and several people who turned up for the screening said they had come to learn more about Singapore’s history. Freelance graphic designer Sim Xin Feng, 21, said she wanted to know more about Singapore and why the film was classified as NAR. Student Wong Xinyuan, 20, who is studying liberal arts in Germany, said she had some prior knowledge about the political exiles and “wanted to know what they think”.

    Some relatives of the exiles were also among the audience, said Mr Lim Jialiang, who had organised the bus charters with three friends. Mr Lim, 24, said he had to turn away about 200 people and that he MDA was heartened but not surprised by the response.

    Ms Tan took questions from the audience after the screening and said she had put together the 70-minute documentary — which features, among others, student leader-turned-political exile Tan Wah Piow and Dr Ang Swee Chai, whose husband was the late student activist and lawyer Francis Khoo — from about 15 hours of footage. She said she had posed three questions to the exiles: When and why they left Singapore, and what they had done with themselves since. She reiterated her disappointment with the MDA’s rating and when asked what she had learnt from making the film, said: “I suppose when something moves you, you just have to follow your instincts.”

    The MDA issued the rating last week after the National University of Singapore Museum submitted it for classification, with plans to screen it at an event, along with two other films by Ms Tan. The authority also said the individuals in the film had given distorted and untruthful accounts of how they had come to leave and remain outside Singapore. It added that the

  • Film by Tan Pin Pin Will Not be Shown at Yale-NUS

    Film by Tan Pin Pin Will Not be Shown at Yale-NUS

    chan Sun wing

    TPP

    Despite a national ban in Singapore, Yale-NUS is pressing ahead with its plans to show a film that has been deemed by the Singaporean government as a threat to the country’s security.

    The film, “To Singapore, with Love” documents the lives of nine Singaporean exiles — among them trade unionists, communists and student leaders — and was slated to be shown at the National University of Singapore Museum at the end of the month. But earlier this month, Singapore’s Media Development Authority classified the film as NAR, or “Not allowed for all ratings,” claiming that it unfairly suggested that exiles are being denied their right to return to the country.

    The categorization prevents the film from being shown or distributed in the city-state of 5.4 million.

    “By doing this, MDA is taking away an opportunity for us Singaporeans see it and to have a conversation about it and our past that this film could have started or contributed to,” Tan Pin Pin, the filmmaker, said in a statement. “Now, the irony [is] that a film about Singapore exiles is now exiled from Singapore as well.”

    The banning of the film quickly raised ire amongst Yale professors, including longtime Yale-NUS critics including English professor Jill Campbell and political science lecturer Jim Sleeper, who characterized the ban as a threat to freedom of expression at a college stamped with Yale’s name.

    But despite the MDA ban, Yale-NUS President Pericles Lewis said the film will be shown in a course on documentary film later this semester on his campus. Lewis said that Yale-NUS checked with MDA about the screening of the film and received the response that the MDA “had no problems with our plans.”

    Lewis said governmental restrictions in Singapore generally do not affect educational material. There are exceptions under national law, he said, that allow materials which would otherwise be restricted to be used on-campus for educational purposes.

    “Academic freedom and open inquiry are bedrock principles of Yale-NUS College. Our faculty teach freely on a wide range of subjects, and we have not faced any restrictions on our curriculum,” he said.

    The ban, as well as Lewis’ reassurance about the film’s screening at Yale-NUS, comes on the heels of Yale President Peter Salovey’s full-throated defense of free expression during his freshman address in August.

    Salovey said he was pleased to learn that the film will be screened in a Yale-NUS film course, adding that he expects the Yale-NUS campus to be a place in which “the principle of free expression of ideas is respected.”

    Yet the decision to show the film at Yale-NUS is only a small reassurance to critics of the school who have publicly voiced opposition to free speech restrictions in Singapore for several years. Since the creation of Yale-NUS was announced in 2009, Yale administrators have faced a constant stream of concerns about Singapore’s tight policies on individual freedom. The freedom of faculty and students to engage in controversial issues and a true liberal arts education has also been a topic of debate.

    “I would say [showing the film] is a step in the right direction,” said Hank Reichman, the chair of the American Association of University Professors Committee on Academic Freedom and Tenure. But he added that the move is far from enough to address all the questions that the AAUP raised in 2012, when it released an open letter expressing concern about freedom of speech at Yale-NUS.

    The extent of Yale-NUS’s commitment to free speech is still uncertain, Sleeper said, given that it is unclear what kind of understanding the college has reached with the Singaporean government.

    Six Yale-NUS students interviewed said they do not feel impacted by government-sponsored censorship in the materials they study or the conversations they have. Yale-NUS student Zachary Mahon said students read Salman Rushdie’s novel “Shame” in their Common Curriculum literature course, and have “The Satanic Verses” – which was written by the same author and banned in many countries including Singapore – available to them in their library.

    Nicholas Carverhill said that earlier this summer the National Library Board decided to ban three children’s books because they depicted “alternative” family structures and values. As a response, Carverhill said he purchased the books in Canada and brought them over to Singapore to donate to Yale-NUS, which included them in its library.

    Mahon said he perceives Yale-NUS as a “safe haven” for controversial materials within the state — but added that he also generally feels like he is able to do what he pleases in Singapore.

    “I do not feel there is anything we cannot talk about. We criticize the government all the time, both inside and outside of the classroom,” he said. “This is only natural as it is necessary to acknowledge the flaws of anything in order to progress.”

    Tamara Burgos said entertainment or documentary films that may broaden students’ perspectives and be helpful educational resources for them should be available to all.

    Yale administrators have long expressed hopes that Yale-NUS’s presence in Singapore will encourage the expansion of free expression in the city-state of six million — a hope that Salovey continued to express despite the ban.

    “Time will tell whether an emphasis on free expression as we’ve come to enjoy it in American society is experienced similarly in greater Singaporean society,” Salovey said. “My personal view is that the existence of a campus like Yale-NUS College creates some momentum in that direction.”

    Before the ban, “To Singapore, with Love” was slated to be shown along with two of Tan’s earlier films at the NUS Museum.

    Correction: Sept. 18

    A previous version of this article incorrectly stated that students read Salman Rushdie’s novel “The Satanic Verses” as part of their Common Curriculum. In fact, students read “Shame” by the same author, and had “The Satanic Verses” available to them in the Yale-NUS library.

    Source: http://yaledailynews.com/blog/2014/09/18/yale-nus-to-show-banned-film/