Tag: Gay

  • Alfian Sa’at: If Muslim Women Want To Wear Tudung, Respect Their Choices

    Alfian Sa’at: If Muslim Women Want To Wear Tudung, Respect Their Choices

    Are we not sick already of the way certain issues are debated in Parliament? The raising of the perennial ‘tudung issue’ has become some kind of weird tussle for legitimacy–as representative of minority rights– between WP MP Faisal Manap and PAP MP Masagos Zulkifli. Masagos seems to be an advocate for closed-door, behind-the-scenes deliberations, which is another name for elite governance. (Who gets invited to these sessions? How do we know that the supposedly representative committee that is assembled is not a rigged public?) Faisal believes that public debate is important, and seems to have more faith in ordinary Singaporeans being able to think through an issue that involves religious freedom, secularism and occupational requirements.

    Of course, in all the rhetoric about how an issue is ‘sensitive’ or ‘divisive’, one avoids addressing the issue altogether. So let’s start from the beginning. Some Muslim women wear the hijab in public. It is important to note that this does not only consist of a head-covering but also clothes which conceal the whole body with the exception of the face and hands. This is an important point because any modification of uniforms to accommodate the hijab will mean introducing long sleeves and long pants to replace short sleeves and skirts.

    Why do they wear the hijab in public? If you live in the US and watch nothing but Fox News, you would think that it is because they were pressured to do so by their brothers and fathers, who believe that a woman’s modesty is a commodity to be perpetually guarded. But if you live in Singapore, you will know that there is a high degree of autonomy practised by those Muslim women who choose to wear a hijab. And two of the reasons often cited might be counterintuitive to those who think of the hijab as some kind of patriarchal constraint: comfort and freedom.

    ‘Comfort’ does not only mean physical comfort, but also the psychological and spiritual comfort that one feels by doing something which one thinks is consonant with one’s religious teachings. (And here we must also make space for women who are equally comfortable with *not* wearing the hijab, because they don’t think it is dissonant with religious teachings.) And ‘freedom’ is often freedom from the kinds of gazes and judgments that seek to objectify a woman’s body—from the way her hair is styled, to the tanlines on her shoulders, to the hair on her arms or legs. It is a way, for some people, of unplugging from pernicious body standards, or a gentle request that one is evaluated on the basis of something other than mere appearance.

    The picture is of course a lot more complex than above. Why is it that young, single women wearing the hijab can sometimes signal that they are suitable prospects in the marriage market, or at least advertise for the kinds of partners they seek? (Clue: not the abang-abang havoc.) And why do some hijab-wearing women wear make-up if the aim is to deflect male attention? An answer would be: because they are not nuns. The interesting thing about the hijab is that it occupies a space of reconciliation between the clerical and the worldly. We associate the wearing of headdresses with those who have taken clerical vows, such as nuns with their wimples. Veiling is often a strategy to retreat from the social and secular, and to concentrate on self-cultivation.

    The hijab then affords a compromise between a spiritual turning-inward and a projection of a public self, and in a sense speaks of that lack of distinction, in Islam, between a ‘person of God’ and a ‘person of the world’. (Something outsiders sometimes have difficulty understanding, when many religions have a separation between the clergy and lay believers). And this is why this particular religious garb also manifests itself as fashion, in an explosion of colour and styles.

    There have been concerns about how the wearing of the hijab was never as widespread ‘in the past’, and how its ubiquitousness is hence a sign of growing conservatism, and even worse, separatism. Well, in that past, a woman’s place was believed to be the domestic sphere, where husbands were supposed to be sole breadwinners and women were expected to stay at home and raise children. However, over time, more women were receiving education and entering the workforce in larger numbers than before, in working environments often far from their homes.

    In that navigation between traditional gender roles and modern economic pressures, the hijab afforded some women an unprecedented measure of mobility. Rather than being a manifestation of conservatism, the hijab was these women’s answer to conservatism, a response to the voices of elders insisting that the home is the only safe place for women, their fears about ‘improper’ interactions in work environments. It was a form of negotiation with modernity and again, a way of being free. While the primary reason often cited by women for wearing the hijab is a religious one, it’s also useful to look at its sociological dimensions.

    I realise only too acutely that I stand accused of speaking on behalf of women who wear the hijab. (And I apologise if it’s yet another tiresome case of men seeming like authorities on what women want to wear.) The choice to wear (or not wear) it is a deeply personal one, and there is something coarse about subjecting such choices to any form of scrutiny. But I really feel that we need to counter those prevalent modes of thinking that sees the hijab as a tool of patriarchal oppression, or as segregationist rejection of mainstream clothing norms, or as fierce assertion of a resurgent Islamic identity.

    There are women among our fellow citizens who choose to wear the hijab when they are out in public, or in their working environments. It makes them feel comfortable, secure, peaceful and at ease with themselves. What can we do, as a multicultural, multireligious society, to respect that choice and ensure their wellbeing?

     

    Source: Alfian Sa’at

  • GLBT Voices Singapore: Muslim Community’s Uproar Over Tudung Issue Is Ironic

    GLBT Voices Singapore: Muslim Community’s Uproar Over Tudung Issue Is Ironic

    This latest ‘noise’ over the tudung issue is rather ironic, given that the Muslim community is up in arms over being shut down and denied their rights to a religious piece of clothing, which may in turn hinder their choices when it comes to employment.

    So they are complaining again basically that their economic rights are not protected when it comes to Muslim women who choose to practise their religion.

    But they have no regrets fighting for the continued discrimination of gay citizens in Singapore, some of whom are also fellow Muslims, as long S377A fits their religious narrative. Talk about cherry picking one’s rights.

    At the end of the day, religion is a choice. And the tudung is not even mandatory within that religion. And they kick up such a fuss over it, to the point of threatening social cohesion. But being gay is who we are, and not a choice regardless of what bugots.

    Ah the delicious irony.

     

    Source: GLBT Voices Singapore

  • Disney Lodges Appeal On ‘Beauty And The Beast’ Ban In Malaysia

    Disney Lodges Appeal On ‘Beauty And The Beast’ Ban In Malaysia

    KUALA LUMPUR: In a new twist to the ongoing Beauty and the Beast saga in Malaysia, Walt Disney has lodged an appeal with the Home Ministry about passing the film without cuts.

    But Malaysian Censorship Board (LPF) chairman Abdul Halim Abdul Hamid said: “Movie companies cannot impose conditions on LPF. We will not budge.

    “As far as I know, Disney has already sent a notice of appeal to the Film Appeal Committee under the Home Ministry, so now the decision of whether to release the film without cuts is up to them.”

    Yesterday, Malaysia’s Tourism and Culture Minister Nazri Aziz said Walt Disney was right in refusing to edit Beauty and The Beast, as he criticised the country’s censors for cutting a “gay moment” in the movie.

    “If you edit, the plot will not be the same any more,” Mr Nazri, who is also an MP with the ruling Umno party, said.

     

    Source: www.tnp.sg

  • Don’t Impose Secular Views On Religious Bodies

    Don’t Impose Secular Views On Religious Bodies

    The statements by the National Council of Churches of Singapore and the local Roman Catholic Church regarding the “gay moment” in the Disney movie, Beauty And The Beast, are quite clearly meant as advisories to the leaders of their respective congregations and the parents there (Disney’s Beauty And The Beast given PG rating for ‘mild violence’; March 15).

    But the statements were picked up and published by various media outlets.

    Not unexpectedly, a number of netizens took offence and attacked and ridiculed these statements without considering the context.

    We should not impose our secular views and opinions upon any religious body or organisation, out of respect for its religious belief and also out of respect for our Maintenance of Religious Harmony Act.

    The various online alternative media outlets which mock religious beliefs and activities could be seen as making mischief.

    They risk tearing the fragile fabric of religious harmony in Singapore.

    I hope they can rein in their attacks before the situation gets out of control.

    David Fong Chee Hong

     

    Source: www.straitstimes.com

  • Singapore Bishop Issues Advisory On ‘Gay Moment’ In Beauty And The Beast

    Singapore Bishop Issues Advisory On ‘Gay Moment’ In Beauty And The Beast

    Romantic scenes involving two male characters in the live-action remake of the Disney classic Beauty and the Beast have prompted an advisory from the head of the Anglican church in Singapore, calling on parents to “provide guidance to their children” on the movie.

    In a statement posted on the St Andrew’s Cathedral website on Sunday (12 March), Bishop Rennis Ponniah urged the faithful to be mindful of the “homosexual content” in the movie, which comes out during the March school holidays. Singapore’s censorship board has given the movie a PG (parental guidance) rating.

    “In this new live-action remake of the classic film , the character LeFou is portrayed as gay and a ‘gay moment’ is included in the movie by way of a sub-plot,” noted the bishop.

    “Parents are therefore strongly advised to provide guidance to their children about this re-make of Beauty & the Beast, and indeed to their children’s entertainment choices in a rapidly changing age.”

    Ponniah added that the Anglican Diocese and the National Council of Churches are working on a fuller advisory in the coming week.

    Beauty and the Beast has stirred controversy in the US, with conservative Christians calling for a boycott of the movie for its alleged pro-LGBT agenda.

    Source: Yahoo